My relationship with art is detached from being conceptual or rhetorical, rather, it is fleshy and sensual. Thus my work is not speaking about any subject, nor for any message I want to convey to the world.

They resemble more an organic tissue woven with and in spite of me. “dört bir yana” is perhaps the travel journal of a series of discovery journeys shaped by trials, accidents, back and forth moves and coincidences, that spread around instinctively from where I stand rather than being a conscious progress to a designated direction.